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Lesson Planning - General



Understanding and Teaching Structure and Function




Understanding and Teaching Vocabulary

Vocabulary Cards

Labels
Teaching Numbers and the Time : A Game
Teaching Pronunciation


a) Speaking

b) Listening

Exams and Exam Preparation




Teaching Communication Skills

Cross Cultural Communication : Part One
Cross Cultural Communication : Part Two


Teaching Younger Learners




Teaching Teenagers




Classroom Management and Affective Variables




Teaching Business English




Teaching One-to-One

Teaching VIPs


Visual aids

Making Flashcards : A Question of Time
Using Balloons in the EFL Classroom


Dealing with Difficult Situations


Alternative Methodologies



On-Line Teaching



Miscellaneous



Career Development





Another Day in the Life of ....


Developing Circumlocution Strategies

One of the most common complaints you hear from students when they're talking about their difficulties with English is I don't know enough vocabulary. At more advanced levels, the problem is mainly receptive - they have problems in understanding the words they come across in written texts or when speaking to native speakers. However, at lower levels the problem is also productive - they don't have enough words to express what they want to talk about.

Obviously we can, and should, deal with this problem by providing a systematic and progressive lexical component in our courses. But even so, we are unlikely to be able to predict, or cover, every word the student may wish to use. By lower intermediate level students need to learn how to explain their way around the words they don't know, asking for the word if they are speaking to a native speaker or simply explaining themselves : What do you call the little pieces of ice which fall out of the sky like rain? or It's the thing you use to connect the video and the TV.

The following game, based on noughts and crosses, is useful to practise this type of circumlocution, and would work with a class of up to about twelve students. It's played in teams, which gives the students the chance to work together on the definitions rather than having to think of them spontaneously. This helps the weaker students in the initial stages of learning to use the strategy.
  • Divide the students into two teams, the noughts and the crosses, and give out a worksheet like the one in the photo (1). It consists of the nine squares of the noughts and crosses diagram, each containing the photo of an object that the students will not know in English, but will be able to describe within the limits of the grammar and vocabulary that they have already learnt. In particular, relative clauses and the impersonal you tend to be important : It's the thing which you wear on your head when you ride a motorbike.
  • The teams have ten minutes to think of the best way to explain each of the things in the pictures. Meanwhile, the teacher draws the diagram on the board (without the pictures).
  • The teams then alternate in describing the objects to the teacher. They can choose which object they want to describe, and their objective is to get a straight line of three whilst at the same time blocking their opponents. Each time they give an accurate and comprehensible explanation, the teacher notes a nought or a cross in the relevant square, and also feeds in the vocabulary.
If you have a large class, or when students have become more proficient at using circumlocution strategies, the activity can be done in another way. This version of the activity is more challenging as students are working individually. Each student has a copy of the worksheet, but also a card with one of the pictures and the name of that object. The students circulate, trying to find out the names of all the objects by asking other people What do you call the thing(s) which .... If they are asked about one of the objects which they don't yet know, they simply say I'm sorry, I don't know and move on. But if they know the name they give it. The game starts slowly, but as they get to know more and more names, they can also give more and more answers, and things speed up. It finishes when everyone has found out the names of all the objects.


Notes

1. If you can draw, the diagram can be put on the board instead of using handouts.

Colloquial English : Animal Idioms

For the next in our Language Snippets series, here's an exercise focusing on idiomatic English which you can use as a filler with your more advanced classes - or if you're not a native speaker, which you can use to check your own understanding of idiomatic English.
Match the idioms and their meanings :


1. When Anna said something about her sister's surprise birthday party, she let the cat out of the bag.
2. Paula is in the doghouse with her mother because she forgot her birthday.
3. When George asked Karen how she knew that William was getting married, she said that she heard it straight from the horse's mouth.

4. Helen always listens to the recordings of her French course while she does the ironing. That way, she can kill two birds with one stone.
5. Linda moved to the countryside because living in the city had become such a rat race.
6. Even though Mrs Scott is no spring chicken, she still runs five miles a day.


a. Involving a fast, hectic pace of life
b. From the person involved.
c. Save time by doing two things at once.
d. Revealed a secret.
e. No longer young.
f. In trouble.


Answers : 1d 2f 3b 4c 5a 6e

Acknowledgement
Photo provided under Creative Commons Licence by eelviss, via flickr.


Further Reading 

Nattinger and DeCarrico, Lexical Phrases and Language Teaching, OUP


(Don't forget that Amazon often has both new and used copies of the books you want at much lower prices than that shown here. Click on the link to check.)

Using Repetition Drills

Immediately after the presentation of a new structure or vocabulary field, the students need a controlled practice stage in which they have the chance to focus exclusively on the new language and start to familiarise themselves with it. What the student says and how it is said is controlled by the activity and restricts the student to the target item. The lower the level, the more important this stage is. The students do not have to speak spontaneously, and therefore do not have to focus on what they want to say at the same time as considering how to say it. Their output is 100% predictable.

The simplest and most controlled of these types of activity is a repetition drill - the teacher simply says a sentence containing the target structure (or even just the lexical item being taught) and the students repeat it. This can be done :
  • Silently : the students repeat the sentence or word to themselves in their minds to try and get a mental image of the item. This stage is often skipped, but I find it invaluable.
  • Chorally : the whole class, or in a larger class, groups of students repeat the sentence/word together.
  • Individually : the teacher calls on one student at a time to repeat the target item.
The staging Silent - Choral - Individual repetition is in increasing order of challenge for the student and should generally be done in that order. If students are having problems, however, it may sometimes be useful to backtrack to an earlier stage.
Here are some dos and don'ts for using repetition drills effectively :

Do...
  • Think about whether you want the students to see the written form before the repetition or not. In general it will be helpful, but in some cases you may want to establish the pronunciation first - for example with the word cupboard. In this case, when you finally write up the word, check the pronunciation again and point out the silent p and the schwa sound -/kʌbəd/ . Otherwise students are liable to think they were wrong when they were repeating and start to pronounce the word in the way you were hoping to avoid.

  • Give clear instructions as to whether the students should be listening or repeating, and give them several chances to listen before asking for repetition. It will generally also be useful to indicate stress and intonation features using gesture, board symbols etc.

  • Speak naturally, so as to give a realistic model of pronunciation. Notice how the pronunciation of the words is different in connected speech than if they're pronounced individually - for example in the phrase go and see there will be a linking consonant /w/ between go and and; and the word and itself will be pronounced in its "weak" version : the /d/ will probably disappear (elision) and the vowel sound will again be a schwa. You need to decide how much you wish to focus on these elements in pronunciation work. If the students need to speak to native speakers of English it's essential that they recognise them. However, at lower levels asking students to produce the weak forms may be beyond them. Apart from anything else, they are features of fairly rapid, linked speech, and beginners are usually unable to speak that fast. Weak forms pronounced in isolation usually sound ridiculous.

  • Give a further model before every repetition. Don't expect students to work from memory or they're more likely to repeat what they heard from the last student than what you originally said.

  • During choral repetition, "conduct" the group to keep them together. Otherwise it's very difficult for them to produce the same rhythm and intonation, or for you to hear mistakes. If the group is together and one student is pronouncing something wrong, you'll hear it. If they're all at different points in the sentence, you won't.

  • Use fairly short phrases - not more than about seven syllables at a time, and considerably shorter for beginners. This will probably mean breaking the sentence into parts. If you do this always backchain - start with the last part first and build towards the front. Otherwise you'll find it impossible to maintain the correct intonation. For example, if you're working on the sentence Mr Johnson's attending a conference in Paris this week, the sequence might be : this week - in Paris this week - a conference in Paris this week - attending a conference in Paris this week - Mr Johnson's attending a conference in Paris this week.
Don't ...
  • Don't be tempted to skip this stage. At elementary level it's essential to give the students the chance to familiarise themselves with the language before they start really using it, and even at intermediate level it's useful for new structures, though you may start dropping it for remedial work.

  • Don't let it go on for ages or let the pace drop. Repetition work should be short and snappy or it gets boring. Do silent and choral repetition and try to hear a couple of students repeating individually. If you had four model sentences, you might want to do, for each : 1 or 2 silent repetitions; 2 choral repetitions; and 3 individual repetitions, using different students each time. Five minutes repetition work would be ample even at the lowest level, and would probably get considerably shorter as you moved towards intermediate level. You can brighten the repetition work up by asking the students to repeat using different emotions - as if they're tired, angry, very happy, or surprised. Try it with the sentence above!

Further Reading ...

Grundy, P. Beginners, Oxford


Teaching Subject-Object Oriented Questions

One of the grammatical areas I find students have most difficulty with is the difference between subject and object oriented questions. Here are some ideas for introducing it.
  • Don’t introduce subject-oriented questions until you’re sure students have fully understood how to form “normal” object-oriented questions using the Question Word -Auxiliary Verb -Subject – Main Verb rule. Spend some time revising this in the preceding lessons.

  • This area is often introduced using sentences like John loves Mary and then getting the students to formulate pairs of sentences Who does John love? Who loves Mary? This can often turn into an exercise in mental gymnastics and create more confusion than it resolves. I prefer to avoid this approach and to work with different sentences, checking one last time that students understand and are using object-oriented questions accurately, and then moving on to focusing on subject-oriented questions in context.

  • The context I usually use is a general knowledge quiz. Divide the students into groups and tell them that you’re going to give them a general knowledge test. They can confer on the answers and the group will get one point for each correct reply.

  • Ask the questions, turning up some background music while they confer, so that they can’t hear what other groups are saying, but turning it down for the questions so that they hear you clearly. Ask about twelve questions, aiming at topics you feel the students should know but which might stretch them slightly. Repeat each question at least twice. The questions should be a mix of object-oriented questions : When did the first man walk on the moon? What does the formula H2O stand for? Where does the Dalai Lama live? and subject-oriented questions : Who played Obi Wan Kenobi in the original Star Wars films? Who discovered penicillin? Which country won the 2002 World Cup?

  • Repeat the questions one at a time and elicit the answers. Give the points and decide who’s won.

  • The students have now heard the questions at least three times. Ask them to look at their list of answers and use it to reconstruct the list of questions. Give them five minutes to do so.

  • Elicit first the object-oriented questions and write them on one side of the board. Students should have got these right easily. Then elicit the other questions, which students may be floundering on. List them on the other side of the board and then elicit/feed in the differences between the sentences in the two groups and the reason.

  • Murphy’s Essential Grammar in Use (CUP) provides some good practice activities for this area, and a short but useful on-line activity can be found here. If the listenings in the textbook you are using include an interview situation, this will probably contain examples of both types of questions and can be used for consolidation. As a freer final activity you can return to the quiz situation. In groups the students have to write six general knowledge questions to ask the rest of the class (they must know the answers).

Notes

(1) Object-oriented questions should really be called complement-oriented questions, as they may focus on an adverbial or other element of the complement rather than the object itself. However, the term object-oriented question (or often just Object question) is generally used, and I have followed the standard practice.

The questions are called "subject" and "object" oriented because of the grammatical element required by the answer. If I ask Who did you see in London? the answer is the object of the sentence : I saw John. The question is therefore oriented towards the object or, if you like, Who is the object of the verb in the question. This type of question is formed using Question word - Auxiliary verb - Subject - Main verb.

If on the other hand I ask Who gave you that book? both the question word and the answer are the subject of their sentences : Janet gave it to me. So the question is subject oriented. Here the question is formed using simply Question word - verb phrase.


    Acknowledgement

    Photo provided under Creative Commons Licence by Susan NYC via flickr

    Correcting Written Work

    In a previous article, I talked about correcting workbook-type activities and suggested that students could be taught to self-correct effectively – thus saving the teacher’s time and promoting student autonomy. However, when it comes to freer written activities the situation is different – there is no single right answer and the text must be seen by the teacher. How can the text be marked most effectively ?

    The aims of a marking method for open-ended written activities remains the same as before : to encourage the students to use the corrections as a tool for learning. This means helping them to “notice” what the errors are, to self-correct where possible, and to increase their understanding of areas that previously confused them.

    To do this, try the following steps : proof-reading; guided self correction; comparison with a corrected version; follow-up work.

    Step One : Proof Reading

    If they are working on the computer, the students can, and should, be encouraged to use the spelling and grammar check. Suggest that they don't have this set to make automatic changes - which they may not even notice - but run the programme when they finish so that they also see the explanations. However, make sure they understand that the spelling and grammar programmes are not foolproof - they won't, for instance pick up on a mistake like We were in there garden - and that in any case they need to proof-read. Proof-reading does not mean reading the text through quickly immediately after it’s been written – you are too fixed on what you wanted to say, and simply don’t see the mistakes. It means leaving the text aside for a while, then looking at it again in detail – looking at every word and asking yourself questions about it. This can be taught to the students in class. After the first piece of work has been marked, ask students to analyse their errors. Ask for example how many people forgot the third person –s, forgot the plural –s, didn’t put the object immediately after the verb, forgot to use capitals for nationalities, etc. What you focus on will vary depending on the students’ level, their L1, and what you’ve been teaching recently. Write each type of mistake on the board plus the number of students who made it, to provide a ranking of the most common errors, and ask the students to copy the list down. Don’t make it too long. Explain to the students that from now on, you want them to look at their work again at least 24 hours after they’ve first written it, and look actively for two or three of those mistakes – the ones they know they make most frequently. At the end of the text they should note the date it was written, the date it was proof-read and the specific things they looked for.

    Step Two : Guided Self-Correction


    If you can, ask students to send you their work via E-mail.
    Correct it by highlighting the errors and adding a code to indicate the type of mistake – for example Sp = spelling mistake; G = grammar mistake; VF = wrong verb form; Pu = punctuation; Pa = paragraphing; ^ = word missing; WW = wrong word.

    The students will need a copy of the code – I usually cut and paste it at the top of their text before I send it back. Distinguish between errors and mistakes – a mistake is a slip, something the student knew but didn’t use correctly, while an error is something they don’t fully understand – either because they’ve misunderstood it or they’ve never met it before – and for which they need an explanation and practice activities. Put a number next to these errors.

    By now, the text looks something like :

    At 10 o’ clock I had a meeting with Mr. XXX, which(G-1) works for XXXX, the web agency responsible for the developing(WW) of ^ new website.(PA)
    We discussed how upgrading(G-2) our database with the new content management system. At last(WW) we decided to use the old system for some (WW) months.

    When they see this, the students’ first task is to look at the highlighted expressions and the code, and to try to self-correct, not bothering too much for the moment about the errors which have a number next to them. You may want them to do this before they see your corrected version, asking them to write their corrections on the text and bring it to the next lesson, when you’ll give them the “answers”. This is useful the first time, while you are teaching the students the method, but afterwards will depend on how much you “trust” them to do the work.

    Step Three : Comparison with a Corrected Version

    The next step is to produce a corrected version of their text, against which they can check their hypotheses. If they have tried to say something which is way above their current level of competence, you can simply rephrase it to show them how they could have expressed the same idea within the limits of the language they already know.

    Step Four : Follow Up Work

    At the end are the notes which relate to the errors, and which provide the students with a brief explanation and (possibly) a practice activity. If the students have a grammar book, this is one way that it can usefully be used. For example, if the students are using Murphy’s Essential Grammar in Use (CUP) the note might say : 1) "Who" is used for people and "which" for things. Look at Murphy Unit 112, paragraphs B and D only, and then do exercises 112.3 and 112.5.

    You may also want to develop your own materials. This can be very time-consuming at first, but as long as you keep everything filed on computer, the activities can be used over and over again. They will build up even more quickly if you collaborate with other teachers in the school to build up a shared pool of resources. Quite a lot of the activities that you’ll see in the Language Snippets section come from the bank of the explanations/exercises which I’ve built up over time.

    Time is, of course, the problem with this approach. If you have a lot of large classes you may not be able to work in this way all the time but will need to prioritise. You might want to give priority to students who have an important exam at the end of the year, or who are focusing specifically on writing skills. If your classes are smaller, you can organise the work so that only one or two classes are doing this type of writing each week, while the others are working on exercises which can be entirely self-corrected.

    Should you correct every mistake?

    What do you do with a piece of work which contains a large number of mistakes and errors? Will it be demotivating for the student if you indicate them all? Or will the student feel insecure if s/he knows that there are still uncorrected errors? Will the students be able to focus effectively on all the errors, or will the overload be counter-productive?

    The answer to these questions will depend largely on the personality and motivation of the students, and whether they see your corrections as an evaluation (a product-based approach) or as a learning opportunity ( a process- based approach). The steps which I've outlined above are intended to encourage the latter, but also provide the possibility of a compromise between the two positions. If, on the original version, you indicate only those errors/mistakes which you feel the students will be able to focus on but in the corrected version provide extra changes, they are not faced with a demotivating mass of corrections, have a limited number of areas to focus on, but at the same time are not left with uncorrected errors which they might assume to be correct and later repeat.



    Notes

    Photo provided under Creative Commons Licence by Melisaur via flickr.

    Identifying People

    This is another in our occasional series Language Matters, which looks at  areas of language which often create problems for both learners and teachers. Here there's a brief explanation,with examples and an exercise, of the use of It, this and that to identify people.You can use the activities as fillers at the beginning or end of the lesson, or to resolve problems which crop up in the students spoken or written language. 

    Notice that, in English, other people are always identified using it, this or that. You can only use he or she after they are identified. Look at the following examples :

    A : Who’s the man with Mary ? B : Oh, it’s/that’s David. He works in our office.

    A : Anne, let me introduce David. David, this is Anne. She’s a friend of mine.

    The rule is the same when the other person knows you but can’t see you and so doesn’t know initially who is there – for instance on the telephone or in a dark room:

    A : Hello Brian! It’s /This is Pauline.

    A : Who’s speaking please? B: It’s Angela Wilson

    A : Who’s that? Is somebody there? B : Don’t worry, it’s only me, Carol.


    Practice Activity


    Choose the correct expression from the alternatives given.

    1. A : Who was the first person to go into space? B : It / He was Yuri Gagarin, I think.
    2. A : Who’s on duty in reception this morning? B : I think it’s / she’s Anne.
    3. B : Where’s John? B : It’s / he’s in Pauline’s office.
    4. (On the phone) A : Hello, is that / are you Helen? B : No, it’s / I’m Angela. Helen isn’t here today. It’s / She’s on holiday.
    5. B : Who’s that / he in the photo? B : It’s / He’s my brother. It / He lives in America.
    6. (On the phone) A : Hello. This is / I’m Karen Black. Can I speak to Paul Evans please? B : Hello Karen. This is / I’m Paul. How are you?
    7. (In an office) A : Good morning. This is/ I’m Keith Watson. I have an appointment with Pamela Leeson. B : Hello, this is / I’m Pamela Leeson. Pleased to meet you.


    Answers : 1. It 2. it’s 3. he’s 4. is that – it’s – She’s 5. that – it’s – he 6. This is – This is 7. I’m – I’m

    Understanding Learner Errors

    Today's article is written by James Trotta. James is a teacher trainer at SMU-TESOL and runs ESL go, a website with free resources for learners and teachers.


    Many language teachers and learners blame L1 transfer for a majority of their problems with L2 grammar. For example, many Korean learners will tell you that English is hard to learn because the SVO word order is different than the SOV word order used in Korean. It’s true that novice level learners studying EFL in Korea do make word order errors such as ‘He ice cream like’ or ‘I school go’ but as learners advance these types of errors are quickly outnumbered by errors from different sources.

    One common type of learner error is the natural order error, a missing grammatical morpheme. Natural order errors are made by all learners in a predictable order. Taking the ice cream example above and correcting the word order gives you ‘He like ice cream’. The missing –s for the third person singular is a very common natural order error and is made by all learners, from novice to advanced. In the natural order of English morpheme acquisition, third person singular –s is one of the last morphemes mastered by learners.

    This natural order is important if we are to have realistic expectations of our learners. I once had a colleague telling me how disappointed he was with his introduction to writing class. He had spent all week teaching them subject verb agreement and then assessed their first writing assignment based on how well they performed with subject verb agreement. The learners didn’t perform well. Errors such as ‘My friend know me so well’ were frequent.

    The learners were novice high or intermediate low and they performed exactly how someone with knowledge of the natural order of English morpheme acquisition would expect. They won’t be ready for third person singular –s until they are far more advanced. That doesn’t mean they can’t get the grammar right on a TOEIC test or some other meaningless measurement of knowledge about grammar. It means that when using the language to write or speak they have to make errors with the third person singular s morpheme.

    So English teachers need to do a little research. I haven’t taught you anything about natural order; I’ve only shown you why natural order is worth knowing. Understanding the morphemes that your learners are ready for will help you know what to expect from and how to assess your learners.

    Where Do They Sit?

    The way the students are seated in the classroom will often determine the dynamics of the lesson. We’ve already seen in a previous article how a simple change in the seating pattern can make an incredible difference to group coherence and student satisfaction, and I’ve seen many other cases where seating has been a crucial element in the success or failure of the lesson.

    The seating pattern you use may, in some cases, not be fully under your control – if for example the desks are fixed to the ground or the school has strict rules about not moving the furniture. Student numbers are also going to be an issue – EFL groups can be anything from one student to four hundred. However, except in extreme situations, some degree of choice is usually possible.

    For the moment I’ll talk about average size classes – anything from 6 to 25. Teachers have different preferences for seating arrangements – groups seated round small tables is often one. This is probably the best option for the larger classes in this range, but for smaller numbers and with adult or teenage students I prefer the horseshoe shape, which I find has all of the advantages of groups, and none of the disadvantages. A horseshoe may be desks in a U-shape with a hollow centre, students in a semicircle on chairs with arm-rests and no desks, or students seated around three sides of a large table, with the teacher at one end.

    In any case, whatever seating pattern you choose or is imposed on you, the class is likely to be more successful if you keep the following principles in mind :
    • Try and maximise eye contact – both teacher to student and student to student. In full class phases of the lesson, if the person who is speaking does not have eye contact with the others, then attention is likely to drop. This is the main reason I personally prefer the horseshoe shape to groups – when students are seated around separate tables, some inevitably have their backs turned to each other and/or to me. This makes it much harder to keep the full attention of the class during phases such as explanation or instructions, or when other students are speaking to the group. If students are in groups, make sure they are turned towards you before you start a full-class phase. Be careful also that you don't lose the group's attention and let pace drop if you are speaking not to the group as a whole, but to one particular student. If it has to be more than a couple of sentences, again make sure the students' are focused on the person who is speaking.
    • Make sure students are seated at a comfortable distance from each other. Large distances between the students will tend to lead to a “muted” atmosphere, low pace, and less active student participation in the lesson. This is particularly important if you are teaching a small number of students in a class set up for more. If for instance you have a group of seven in a room set up with twelve seats round three tables, don’t leave a large space between the groups, or between yourself and the groups. Try and arrange things so that the “empty space” is behind students, where they’re less aware of it, divide the students 3-2-2 between all three tables, or use just two adjacent tables - those closest to you. And make sure you don’t have one student sitting alone, outside the groups.
    • Think in advance about how you will organise changing partners or changing groups. This is a stage of the lesson which can potentially descend into chaos if it’s not tightly controlled, with students wandering aimlessly around not knowing where to go or confidently moving to the wrong place. It’s better to find a method that works and stick to it – that way the students get used to it, know exactly what to do, and changes go smoothly. Again, the horseshoe shape makes changing partner easy - label the students ABABAB around the horseshoe, then ask all the As to stand up and move to the empty seat on their left (the person at the end on the right side moves to the first seat on the left). If they are in groups, much the same technique is possible. For example, if they are working in threes, label them A,B and C – Ask all the As to stand up and move one chair to their left, wait until they’ve arrived so as to avoid confusion, and then ask all the Bs to stand up and move one seat to their right. They then end up with completely different partners.
    What do you do if you’re working with students seated in rows, possibly with desks fixed to the ground? In a typical classroom set-up, alternate rows can be asked to turn their chairs around in order form groups with the people sitting behind. Or they can be asked to stand up and do the activity on their feet, moving around as necessary. In a lecture theatre type arrangement however, very often it is not only the benches but also the seats which are fixed, and the students are “trapped” inside the rows. In this case, change pairwork partners by asking the person at the far end of each row to stand up, and the whole row to move one seat to the right. The person standing then moves round to the empty seat on the far left, and new pairs can be formed.
    So far I've talked about the teacher deciding, but what about students' preferences? Should they be taken into consideration?

    Bear in mind that students often prefer what they are used to and will resist change. If they have always sat in one position, they will have established a psychological "territory". The room will feel right from that position, and they may feel uneasy in another. This is why I suggested in an earlier article that the first lessons with a class are often crucial - if the students get used to the seating pattern that the teacher has chosen, or to changing seats frequently, from the beginning they are much less likely to resist than if a change is made half way through the course.


    Whether students choose their own position or not will also depend on the reason. One student may not want to sit near the window because of draughts for instance, or as close as possible to the board because of sight problems. The teacher needs to be aware of these factors and take them into consideration. However, the most common reason for choosing or avoiding a seat is often who their neighbours are, and this - who do they sit with? - is something that can have an important effect on the success or otherwise of the class. It's a question that deserves to be considered at length and is something we'll look at in the near future.

    Acknowledgements
    Photos provided under Creative Commons Licence by : Timtak, Qian Jong, Matthew Weston and Amanda47.

    Describing Famous People : A Reading and Writing Activity

    This is an activity which I’ve used successfully at both lower and mid-intermediate level.

    Preparation

    Choose a famous person who is likely to interest the students, and who they know something but not too much about already. Use the Internet to research their biography and then “condense” it into ten to fifteen sentences, using language that the students have already encountered. If you choose someone who is already dead, you’ll probably be able to do it using only the simple present and past (active and passive) but a description of a living person may need also the present perfect. The sentences should include two or three which are invented, and the task for the students is to decide which are the untrue sentences. It will work best if it’s not too obvious – try and choose someone who has done a couple of things which the students might not expect, to act as distractors. I often use this text, describing Condoleezza Rice :

    ------------------------------------------------------------------------------
    Look at the list of important events in Condoleezza Rice’s life. Three of them are not true. Read them and decide which three you don’t believe.

    1. Condoleezza Rice was born in Alabama in 1954.
    2. When she was a child, one of her friends was killed in a bomb attack by the Ku Klux Klan.
    3. As a child, she wanted to be an astronaut.
    4. She went to university at the age of 15 and at 19 she graduated with a degree in political science.
    5. Her mother taught her to play the piano and at university she studied music. She is a concert level pianist and once performed with the violinist Yo Yo Ma.
    6. She was appointed as Soviet Affairs Advisor in the government of George Bush Snr.
    7. Before she became Secretary of State, she worked at Stanford University.
    8. She is a close friend of George and Laura Bush and spends almost every weekend with them.
    9. She is the first black American to become Secretary of State.
    10. Her nickname in the White House is “the Iron Lady”.
    11. She exercises every day with a personal trainer who is an ex-Marine.


    Answers (not included on the handout): The untrue sentences are numbers 3, 9 (She’s the first black woman. Madeleine Albright was the first woman, and Colin Powell was the first black American), and 10 (The Iron Lady was the nickname of Margaret Thatcher. Rice is known as the Warrior Princess).
    -------------------------------------------------------------------------------------

    In the Lesson

    Start with a warm-up discussion. Show the students a picture of the person you have chosen and ask them if they recognise him/her. In groups ask them to brainstorm everything they know about that person, then after a few minutes go back into full class mode, ask the groups what they decided and write their points up on the board. Don’t tell them if they’re true or not. At the end of the phase, correct any mistakes you overheard during the discussion.

    Give out the text and explain the activity. Let the students read and then vote on which statements they think are untrue. Put the number of votes for each on the board before you confirm. Then ask students if the ideas which they’d had in the warm-up discussion were confirmed by the text.


    For Homework

    For homework, ask them to choose another famous person and to write about ten sentences, including two or three which are false about that person. Emphasise that they should keep their sentences short and simple, similar to the ones in the example text, and discourage them from copying verbatim from the Internet. Give them a deadline, by which they should send you their descriptions by E-mail. Correct the descriptions (and send them back) and print out copies of the corrected versions.

    In the Next Lesson

    Divide the students into groups and circulate the descriptions around the groups one at a time. As the groups read each description, they tick the sentences which they think are incorrect. At the end the number of ticks are counted and the person who wrote the description confirms which were actually the incorrect sentences.



    Acknowledgements

    Picture provided under Creative Commons Licence by Matthew Weston via flickr

    Colloquial English : Expressing Emotion

    Here’s a quick five minute activity focusing on multiword verbs and idiomatic expressions which you could use with a more advanced class as a filler at the beginning or end of the lesson. The activity focuses on the topic of emotions, so it could also be fed into a lesson on that topic.

    If you’re a non-native speaker you can also use it to check out your own understanding of more colloquial language!

    Expressing Emotions : Multiword Verbs and Colloquial Expressions

    A. Can you match the emotions and the colloquial phrases and multiword verbs which express them?

    1. If someone really annoys you, they …
    2. If you get so excited that you exaggerate you ..
    3. If you stop feeling angry or upset you ….
    4. If something makes you feel better, it ….

    5. If something really depresses you it ….
    6. If you completely lose your temper you …

    a. freak out
    b. gets you down
    c. get to you
    d. calm down
    e. get carried away
    f. perks you up

    B. After you check your answers, use the expressions in the following sentences. You’ll need to put verbs and pronouns in the appropriate form.


    1. I hate it when there’s someone with an mobile phone and you can hear music or something.. It really .....................................................
    2. My mother really ..................................... when she saw the state of the house and realised we’d had a party while she was away. It took her about three weeks to ................................
    3. I don’t like my job much. My boss is really critical and there are times when it ............................................... a bit.
    4. I had a really heavy cold and felt dreadful. But when my boss told me I was going to be promoted it ...................................considerably!
    5. Don’t ..................................and think you’re a wonderful driver just because you’ve passed your test!


    Answers :

    A) 1c 2e 3d 4f 5b 6a

    B) 1. gets to me 2. freaked out / calm down 3. gets me down 4. perked me up 5. get carried away

    Acknowledgements

    Photo provided under Creative Commons Licence by Ana Omelete via flickr

    Cross-Cultural Communication : Part Two

    Yesterday, I talked about various problems which can arise in cross-cultural communication. What follows is a quiz which I use with my business English students to raise awareness of the issues, to stimulate discussion of their experiences and to allow me to feed in information. Try the quiz yourself. If you’ve already read the first part of this article you’ll know the answers to a couple of the answers already. If not, try the quiz before you look at it.

    1. You are in the Arabian Gulf, meeting a client in his office. You can expect him to 
    a) ...close his office door, refuse interruptions, and dedicate his attention solely to you.
    b) ...leave the door open and interrupt your meeting to speak to anyone who wants to see him.
    c) ...close the door, but to allow interruptions from anyone who needs him urgently.

    2. Polish communication style is ….
    a) very direct with a lot of eye contact
    b) very indirect with very little eye contact
    c) very indirect with a lot of eye contact

    3. You are making a series of proposals and your Bulgarian counterpart keeps nodding her head. Does this mean …
    a) Yes, I agree completely.
    b) Go on, I’m listening.
    c) No, I don’t agree.

    4. You are making a series of proposals and your Japanese counterpart keeps nodding his head. Does this mean …
    a) Yes, I agree completely.
    b) Go on, I’m listening.
    c) No, I don’t agree.

    5. You’re in Japan. A client gives you his card. Should you take it with …
    a) your left hand
    b) your right hand
    c) both hands

    6. And then what should you do with it?
    a) Look at it carefully and then put it away in your pocket
    b) Look at it carefully and place it on the table in front of you during the meeting.
    c) Look at it carefully and then pass it to your colleagues so they can see it.

    7. You are organising lunch for a group of Arab visitors. Which of the following should not be on the menu?
    a) beef b) chicken c) pork d) lamb e) fish

    8. Which two of the following nationalities would be unlikely to express any emotion through facial expression or other signs during a meeting, but would seem to remain detached and expressionless?
    a) Japanese   b) French   c) British   d) Finnish   e) American

    9. A Greek meeting participant is liable to want to …
    a) get a general overview of the situation without worrying too much about specific details.
    b) discuss each point in great detail

    10. In a meeting you can expect the French to …
    a) agree and disagree with each other but not with you
    b) criticise your arguments
    c) report information but not discuss it

    11. In a meeting you can expect the Japanese to …
    a) agree and disagree with each other but not with you
    b) criticise your arguments
    c) report information but not discuss it

    12. In a meeting there is a certain amount of conflict and disagreement. In attempt to lighten the atmosphere, an American participant makes a joke. Which nationality would not appreciate this?
    a) British   b) Australians   c) Egyptians   d) Germans   e) Italians

    13. In reply to a proposal, a Japanese visitor says That might be difficult. What does this mean?
    a) I can see a few problems which we need to resolve before we decide.
    b) No way.
    c) I really like the idea but I have to talk to my boss before I say so.

    14. You are in Germany visiting a client who you have already met several times. Should you call him by …
    a) his first name – Klaus
    b) his surname - eg Schmidt
    c) “Mr” + surname – Herr Schmidt
    d) his title - Doktor
    e) his title and surname – Doktor Schmidt
    f) “Mr” + title + surname - Herr Doktor Schmidt

    15. In which three of the following countries is it important to be on time for a business meeting ?
    a) Mexico   b) Portugal   c) Sweden   d) Germany   e) Egypt   f) China

    Here are the answers. How did you do?

    Answers : Ib    2a    3c    4b    5c    6b    7c    8a+d    9b    10b    11c    12d    13b  14f    15 c,d+f

    When you’re using this sort of information though, bear in mind that they are only generalisations. Norms of behaviour may differ widely within the same country, for example from region to region, or may be determined by gender, generation, profession or many other factors. And then it is always possible that individuals will not, in any case, adhere to the norm. However, this type of generalisation and models like the Lewis model which I mentioned yesterday can be useful in explaining general tendencies and heightening awareness. As Michael Gates says of the model in an article you can find
    here :

    “As with any theory, it is simply a model for organizing reality. One has to take care not to let it make you see things that are not there or miss things that are. But used in the right way, it can be a powerful method of cutting through the complexity of cultural encounters.”
    For Further Information
    If you want to find out the rationale for these answers, one of the most useful web resources for information on cross-cultural differences is www.executiveplanet.com, which has articles on a large number of countries around the world. However, I find that the links on their home page don’t work – so try this one, but type the name of the country you are interested in at the end : http://www.executiveplanet.com/index.php?title=France


    Photo provided under Creative Commons Licence by cp via flickr